



b. 43-44
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composition: Op. 10 No 11, Etude in E♭ major
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Distraction, or perhaps also lack of space, are, according to us, the possible reasons for omitting the dynamic indications in FE (→GE,EE). category imprint: Differences between sources issues: Inaccuracies in FE |
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b. 43-44
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composition: Op. 10 No 11, Etude in E♭ major
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It is unclear whether according to Chopin's intention the slur of A was supposed to end on the last quaver in bar 43 or reach until the beginning of bar 44. In the main text we adopt the second interpretation. category imprint: Differences between sources issues: Inaccuracies in FE |
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b. 43
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composition: Op. 10 No 11, Etude in E♭ major
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The lack of e category imprint: Differences between sources issues: Inaccuracies in FE , Uncertain notes on ledger lines |
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b. 44-46
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composition: Op. 10 No 11, Etude in E♭ major
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The missing arpeggios in the editions is most probably a result of distraction of the engraver of FE (the marks were added in EE in bar 46). category imprint: Differences between sources issues: Errors in FE |
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b. 44
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composition: Op. 10 No 11, Etude in E♭ major
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g as the lowest note of the chord on the 2nd quaver in the bar is most probably the engraver's error. The note was changed to e category imprint: Differences between sources issues: EE revisions , Errors in FE , Terzverschreibung error , GE revisions |