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Issues : Inaccuracies in FE
b. 43-45
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composition: Op. 10 No 12, Etude in C minor
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category imprint: Differences between sources issues: Inaccuracies in FE , Errors in GE , GE revisions , Authentic corrections of FE |
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b. 45-46
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composition: Op. 10 No 12, Etude in C minor
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In the main text we give the slurs in the parts of both hands, as Chopin wrote it in A; such slurs are included in EE. We consider the fact that in A the slur in the L.H. begins two notes later than the slur in the R.H. as the notation's inaccuracy. In FE (→GE) the range of the slur in the L.H. is correct, yet the slur in the R.H. was omitted. category imprint: Differences between sources issues: Inaccuracies in FE , Inaccurate slurs in A |
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b. 51-64
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composition: Op. 10 No 12, Etude in C minor
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We give the pairs of hairpins appearing in bars 51-53 and 59-64 under similar figures in the L.H. in a unified version for each of the sources (applies also to bar 62, discussed separately). category imprint: Interpretations within context; Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , Scope of dynamic hairpins |
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b. 51-63
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composition: Op. 10 No 12, Etude in C minor
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In A the motifs in the R.H. in the 2nd halves of bars 51-53 and 60-63 are provided with category imprint: Interpretations within context; Differences between sources issues: Inaccuracies in FE , Scope of dynamic hairpins |
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b. 54-55
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composition: Op. 10 No 12, Etude in C minor
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The right ending of the tie sustaining a2 was arranged slightly too high in FE (→GE1). In GE2 (→GE3→GE4) the tie was given an already totally erroneous form of a phrase mark combining a2 in bar 54 with d3 in bar 55. In the main text we give the only undoubtedly authentic version with sustained a2. We give the same version, written with a category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in FE , GE revisions |