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Issues : Errors in FE
b. 68
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composition: Op. 10 No 12, Etude in C minor
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In the main text we give d (with a cautionary category imprint: Graphic ambiguousness; Differences between sources issues: Errors in FE , Errors in EE , Cautionary accidentals , Authentic corrections of FE |
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b. 68
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composition: Op. 10 No 12, Etude in C minor
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Lack of the slur in FE (→GE) is certainly a mistake. The half-bar-long slur, added here in EE, can also be an error. category imprint: Differences between sources issues: EE revisions , Errors in FE |
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b. 75
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composition: Op. 10 No 12, Etude in C minor
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The version of FE, when interpreted literally – d1-f1 as semibreves, including the upper one with a dot – is certainly erroneous. We assume, as it was interpreted in EE, that the notation determines the value of semibreve for the lower voice. This version could be considered to be a result of Chopin's proofreading, yet the engraver's error, who simply did not complete the work (a minim flag and a dot next to the lower note are missing), seems to be a more likely possibility. This is how this place was corrected in GE; we give this undoubtedly authentic version in the main text. category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions , Rhythmic errors |
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b. 77
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composition: Op. 10 No 12, Etude in C minor
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According to us, omission is the most plausible reason for overlooking the staccato dot in the lower voice in FE (→GE,EE). Cf. the note to the L.H. and bars 79-81. category imprint: Differences between sources issues: Errors in FE |
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b. 77
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composition: Op. 10 No 12, Etude in C minor
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In the main text we give the wedge, most probably omitted in FE (→GE) due to the engraver's oversight. It is unclear on which basis a dot was added here in EE. category imprint: Differences between sources issues: EE revisions , Errors in FE , Wedges |