Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 10 No 12, Etude in C minor
This slur, the previous one (in bar 71) and two subsequent ones (in bars 75 and 78-79) are written in A in the same manner consisting in the mark beginning with a clear shift to the right. Such a conclusion comes after analysing the phrasing in these bars; bar 71, in which the adopted interpretation is the only possible option, seems to be of particular importance. Therefore, in all four situations in the main text we give an accurate, according to us, interpretation of the slurs applied in FE (→GE,EE).
category imprint: Graphic ambiguousness
issues: Inaccurate slurs in A
notation: Slurs
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