In the entire Etude A includes only a few fingering digits (in bars 27 and 33), which were then carefully added by Chopin in a proofreading of FE (→GE,EE) – cf. the Etude in A minor, No. 2. The digits added by Fontana in bars 1-3, 5-27, 32, 35, 37-42, 45-51, 55-60, 64-78 and 81 are only a development of authentic hints, although in a few other places they exceed a simple act of copying (bars 18, 24, 66, 68-69, 77, 81). The additions, although unnecessary, seem to be quite justified in certain situations.
Minor changes to Chopin's fingering marks were also introduced in GE4, e.g., in bar 42.
Compare the passage in the sources »
category imprint: Differences between sources
issues: EE revisions, Authentic corrections of FE
notation: Fingering
