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b. 38-51
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composition: Op. 10 No 1, Etude in C major
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In CLI the octaves in bars 38, 40 and 51 are written in an abbreviated form (with the use of 8). In FE the notation was used only in bars 40 and 51, while in EE – only in bar 51. category imprint: Source & stylistic information issues: Abbreviated octaves' notation |
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b. 38
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composition: Op. 10 No 1, Etude in C major
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In CLI there is no cautionary category imprint: Source & stylistic information issues: Cautionary accidentals |
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b. 39
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composition: Op. 10 No 1, Etude in C major
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The octave in CLI is the original version (see bar 39). Chopin changed it for a single D note, most probably preparing the working autograph of the Etude – [AI] for publication. category imprint: Differences between sources issues: Accompaniment changes |
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b. 39
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composition: Op. 10 No 1, Etude in C major
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The octave in CLI is the original version, most probably changed by Chopin during the preparations of the Etude for print (cf. bar 37). category imprint: Differences between sources issues: Accompaniment changes |
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b. 42-44
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composition: Op. 10 No 1, Etude in C major
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In CLI the bass – except for the A1-A octave in bar 42 – is written with single notes. It may be the original version, yet an oversight of some or all 8 signs determining the octaves cannot be excluded. The shortened notation can be seen in FE in the first octaves in these bars, which only partially was adopted in the remaining editions: category imprint: Differences between sources issues: Accompaniment changes , Abbreviated octaves' notation |
before f3. 
