mUltimate Chopin

Op. 10 No 2, Etude in A minor

Text Compare Notes Sources Description
Page: 
Source: 
p. 3, b. 19-28
p. 1, b. 1-8
p. 2, b. 9-18
p. 3, b. 19-28
p. 4, b. 29-38
p. 5, b. 39-49
CLI - Copy by Linowski
Main text
CLI - Copy by Linowski
Ap - Presentation autograph
FE - French edition
FEcor - Chopin's FE proof
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - Second impression of [EE1]
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
Select notes: 
Category
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Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
CLI - Copy by Linowski
Ap - Presentation autograph
FE - French edition
FEcor - Chopin's FE proof
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - Second impression of [EE1]
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
Importance
All
Important
Main
Undo Clear
Prezentacja
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copy link PDF CLI - Copy by Linowski

  b. 21-22

In CLI there are no essential accidentals in the part of the R.H., some of them were also omitted in the base text for FE. In subsequent proofings of FE Chopin, however, added all of them, so final FE (→EE) does not include any errors in this scope. Ap also has a totally correct notation. Lack of the  returning g2 at the end of bar 21 in GE1 probably means that Chopin added it only in the last proofreading of FE. The sign was added in GE2 (→GE3) together with few others, reminding; the majority of the latter were then removed in GE4 (→GE5), while one was added in EE4. We discuss the 2nd half of bar 22 in a separate entry due to the enharmonic difference in the notation of the 10th semiquaver.  

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category imprint: Interpretations within context; Differences between sources

issues: EE revisions, GE revisions, Cautionary accidentals, Authentic corrections of FE

notation: Pitch

Missing markers on sources: GE1
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