Issues : Abbreviated octaves' notation
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b. 10-14
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composition: Op. 10 No 2, Etude in A minor
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Lack of the lower octave at the beginning of bar 10 in Ap may point to Chopin's hesitation, as the octave is both in CLI and FE (→GE,EE). The situation in bar 14, in which A1 was added by Chopin only in FEcor (→FE→GE,EE), suggests, however, that the bass note in the original Chopin's idea was supposed to be only A, while the lower octaves were added by Chopin only at the stage of reviewing the entire piece. Overseeing one or two places during this kind of serial corrections would often happen to Chopin (cf., e.g., the Etude in G category imprint: Differences between sources issues: Authentic corrections of FE , Abbreviated octaves' notation |
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b. 46
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composition: Op. 10 No 2, Etude in A minor
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The sources differ in the number of octaves written in an abbreviated form with the use of 8: three in CLI, the 2nd and 3rd in Ap, 3rd in FE. Both in GE and EE the use of abbreviations was totally rejected. category imprint: Differences between sources issues: EE revisions , GE revisions , Authentic corrections of FE , Abbreviated octaves' notation |
major, No. 5,