Rhythm
|
b. 39
|
composition: Op. 10 No 2, Etude in A minor
..
Same as in bars 4 and 12, the rhythmic corrections written in FEcor confirm that the crotchets in CLI and Ap are the original version changed by Chopin in all three analogous places. category imprint: Differences between sources; Corrections & alterations |
|||||
|
b. 40-42
|
composition: Op. 10 No 2, Etude in A minor
..
The articulation of the accompanying two-note chords, extended in Ap in bars 9-10 and 13-15, seems to be a one-time exclusive idea or a certain transitional stage in the shaping process of the Etude's text. category imprint: Differences between sources; Corrections & alterations issues: Chopin's hesitations , Accompaniment changes |
|||||
|
b. 43-44
|
composition: Op. 10 No 2, Etude in A minor
category imprint: Differences between sources; Corrections & alterations issues: Chopin's hesitations , Accompaniment changes |
|||||
|
b. 43
|
composition: Op. 10 No 2, Etude in A minor
..
Same as in analogous bar 16, in FEcor Chopin changed the crotchets in the L.H. to quavers separated with rests. The crotchets, being undoubtedly the original version, also appear in CLI (with erroneously written semiquaver flags next to the 2nd crotchet) and Ap. category imprint: Differences between sources issues: Accompaniment changes , Authentic corrections of FE , Errors of CLI |
|||||
|
b. 44
|
composition: Op. 10 No 2, Etude in A minor category imprint: Differences between sources |
