Rhythm
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b. 27-28
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composition: Op. 10 No 2, Etude in A minor
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The crotchets in the lower voice in the R.H., in Ap on the last beats of these bars, are in strong articulation contrast with the remaining semiquaver two-note chords, which is additionally underlined with the accents. In the main text we give the homogenous, as far as the sound is concerned, version of FE (→GE,EE). category imprint: Differences between sources issues: Chopin's hesitations , Accompaniment changes |
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b. 30
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composition: Op. 10 No 2, Etude in A minor
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Shortening the D-d octave to the value of a quaver was written by Chopin in FEcor. category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 31
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composition: Op. 10 No 2, Etude in A minor
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In the version prepared for printing Chopin decided to shorten the D-d octave in the previous bar and not here. category imprint: Differences between sources issues: Chopin's hesitations |
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b. 32
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composition: Op. 10 No 2, Etude in A minor
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Chopin wrote the chord as a semiquaver in CLI and as a quaver in Ap. In the published version he opted for a two-part writing, intermediary in a sense. category imprint: Differences between sources |
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b. 32-35
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composition: Op. 10 No 2, Etude in A minor
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Same as in other places, we consider the version of Ap with the extended articulation of the accompanying two-note chords as a transitional stage in the process of shaping of the Etude's text or even an exclusive one-time idea. category imprint: Differences between sources; Corrections & alterations issues: Chopin's hesitations , Accompaniment changes |
