Issues : Accompaniment changes
b. 20-22
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composition: Op. 10 No 2, Etude in A minor
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The crotchets in the lower voice in the R.H. present in Ap at the end of bars 20 and 22 – in accordance with the scheme valid in these bars – are additionally underlined with accents. In the autograph the crotchets in these places are also included in the L.H. category imprint: Differences between sources issues: Chopin's hesitations , Accompaniment changes |
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b. 21-22
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composition: Op. 10 No 2, Etude in A minor
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The octave chords in Ap constitute, as it seems, only a transitional modification of the initial concept of seventh chords. Cf. bars 23-24. category imprint: Differences between sources; Corrections & alterations issues: Chopin's hesitations , Accompaniment changes |
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b. 22
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composition: Op. 10 No 2, Etude in A minor
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The additional f1 in CLI is certainly the original version, Chopin waived this note in both Ap and in the base text for FE. Cf. bars 20 and 24.
category imprint: Differences between sources; Corrections & alterations issues: Accompaniment changes |
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b. 23-24
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composition: Op. 10 No 2, Etude in A minor
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Similarly as two bars before, Ap features chords with the span of an octave on the 2nd beat of these bars. In the main text we give the chords with the span of a seventh present in the remaining sources. In bar 23 there is no cautionary before b. category imprint: Differences between sources issues: Chopin's hesitations , Cautionary accidentals , Accompaniment changes |
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b. 24
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composition: Op. 10 No 2, Etude in A minor
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The additional g1 in CLI is certainly the original version, Chopin rejected this note both in Ap and in the base text for FE. Cf. bars 20 and 22. category imprint: Differences between sources; Corrections & alterations issues: Accompaniment changes |