Page: 
Source: 
p. 3, b. 19-28
p. 1, b. 1-8
p. 2, b. 9-18
p. 3, b. 19-28
p. 4, b. 29-38
p. 5, b. 39-49
Main text
Main text
CLI - Copy by Linowski
Ap - Presentation autograph
FE - French edition
FEcor - Chopin's FE proof
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - Second impression of [EE1]
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
CLI - Copy by Linowski
Ap - Presentation autograph
FE - French edition
FEcor - Chopin's FE proof
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - Second impression of [EE1]
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF Main text


  b. 20-22

Quaver & crotchet in CLI

Two crotchets in Ap

Two quavers in FE (→GE,EE

In Ap the last chords in the R.H. in bars 20 and 22 are crotchets, which creates a kind of rhythmic and articulation accent. The similarity with the original rhythmic value of the chord in bar 22 is coincidental, as in the original version there are no differing values in the bar. In the version for publication Chopin significantly reduced the number of this kind of differences in the part of the L.H. (not to mention the lower voice of the R.H.).

Compare the passage in the sources »

category imprint: Differences between sources

issues: Accompaniment changes, Authentic corrections of FE

notation: Rhythm

Missing markers on sources: GE1