Issues : Accompaniment changes
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b. 17
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composition: Op. 10 No 2, Etude in A minor
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The version of CLI without the Neapolitan chord was changed by Chopin already in Ap and in the base text for FE (→GE,EE). Similarly in bar 44. category imprint: Differences between sources; Corrections & alterations issues: Accompaniment changes |
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b. 17
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composition: Op. 10 No 2, Etude in A minor
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The crotchet in CLI is the original version (as in the previous bar). In this case Chopin shortened it to a quaver with rest both in Ap and FEcor (in FE1 only a rest was mistakenly added). category imprint: Differences between sources |
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b. 17
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composition: Op. 10 No 2, Etude in A minor
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The fifth in CLI is definitely the original version, rejected by Chopin both in Ap and FE (→GE,EE). However, in analogous bar 44 Chopin did not waive his original concept. category imprint: Differences between sources issues: Accompaniment changes |
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b. 19-24
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composition: Op. 10 No 2, Etude in A minor
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In CLI the crotchets in the L.H. in bars 19 and 21-24 are undoubtedly the original version – in FEcor Chopin replaced the majority of them with quavers with rests (except for the 2nd half of bar 24). The later version (apart from the last chord in bar 22) is also included in Ap, which may suggest Chopin's hesitation. category imprint: Differences between sources issues: Chopin's hesitations , Accompaniment changes , Authentic corrections of FE |
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b. 19
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composition: Op. 10 No 2, Etude in A minor
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The original version of the L.H. part in the 1st half of bar 19 was discarded by Chopin both in Ap and in the base text for FE (→GE,EE). We add cautionary naturals on the 2nd beat of the bar (also in bar 20); an identical addition was performed in later GE and EE4. category imprint: Differences between sources; Editorial revisions; Corrections & alterations issues: EE revisions , GE revisions , Accompaniment changes |
1 & b
