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Issues : Authentic corrections of FE
b. 7
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composition: Op. 10 No 2, Etude in A minor
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The alignment of the notation of the L.H. to the rhythm of the previous bars introduced in FEcor (→FE→GE,EE) is an undeniable improvement. category imprint: Differences between sources; Corrections & alterations |
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b. 7
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composition: Op. 10 No 2, Etude in A minor
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On the 2nd beat of the bar in the R.H. we give the E minor triad (with a category imprint: Differences between sources issues: EE revisions , Errors in FE , Omissions to cancel alteration , GE revisions , Authentic corrections of FE |
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b. 9-10
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composition: Op. 10 No 2, Etude in A minor
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The category imprint: Differences between sources |
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b. 9-17
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composition: Op. 10 No 2, Etude in A minor category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 9-13
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composition: Op. 10 No 2, Etude in A minor
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The cautionary naturals before c1 in the L.H. were added in bars 9 and 13 in one of the last proofreadings of FE (→GE). They are also included in EE, except for the category imprint: Differences between sources issues: Cautionary accidentals , EE inaccuracies , Authentic corrections of FE |