Rhythm
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b. 46
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composition: Op. 45, Prelude in C♯ minor
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The notation of FE and GE is certainly inaccurate, which was corrected by the reviser of EE. Similarly in bar 38. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Inaccuracies in GE , Inaccuracies in FE |
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b. 48
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composition: Op. 45, Prelude in C♯ minor
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The notation of the upper voice in FE1 – category imprint: Graphic ambiguousness; Differences between sources issues: Errors in FE |
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b. 50
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composition: Op. 45, Prelude in C♯ minor
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The notation of the octave c2-c3 in FE and GE is certainly inaccurate, which was corrected by the reviser of EE. The extension of the sound of the quaver a2 is written only in GE. It was introduced by Chopin in [A2], certainly in order to make the notation more precise, therefore, we consider it in the main text. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Inaccuracies in GE , Inaccuracies in FE |
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b. 54
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composition: Op. 45, Prelude in C♯ minor
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FE1 is lacking a quaver stem next to the last note of the bar. This patent error was corrected in FE2 and EE. GE also has the correct rhythm. category imprint: Differences between sources; Source & stylistic information issues: EE revisions , Errors in FE , FE revisions |
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b. 59
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composition: Op. 45, Prelude in C♯ minor
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In FE (→EE1) the third a1-c2 is a semibreve. Most probably it is an error of the engraver of FE1. In the main text we give the undoubtedly correct text of GE and EE2. Similarly in bars 35 and 43. category imprint: Differences between sources issues: Inaccuracies in FE |
rhythm with the quaver being moved outside the last quaver of the lower voice – indicates the engraver's error, who placed the notes in accordance with the double dotted rhythm (as in 
