



b. 63
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composition: WN 17, Polonaise in B♭ major
..
We give the little slur on the basis of PE. category imprint: Interpretations within context; Differences between sources |
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b. 63
|
composition: WN 17, Polonaise in B♭ major
..
On the 4th quaver of the bar in JC, there is a figure which fills a crotchet with its rhythmic values: category imprint: Interpretations within context; Differences between sources issues: Rhythmic errors , Errors of JC |
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b. 64-65
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composition: WN 17, Polonaise in B♭ major
..
The pedalling of EF, although compatible with typical ploys of the Chopin pedalling, is probably non-authentic. category imprint: Differences between sources |
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b. 64
|
composition: WN 17, Polonaise in B♭ major
..
The meaning of the indication legatiss., coming from PE (and probably from [A]), is not entirely clear if we take into consideration the slurs which accompany it. According to us, Chopin could have in mind something else than only a linear legatissimo: category imprint: Differences between sources |
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b. 64-66
|
composition: WN 17, Polonaise in B♭ major
..
Without having insight into [A] it is impossible to determine if all the details of notation of the slurs were recreated correctly in PE. However, there is no doubt that Chopin had a totally different slurring concept than the one presented by Fontana in EF. category imprint: Differences between sources |