mUltimate Chopin

WN 17, Polonaise in B♭ major

Text Compare Notes Sources Description
Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Articulation, Accents, Hairpins
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main
Undo Clear

Articulation, Accents, Hairpins

b. 22

composition: WN 17, Polonaise in B♭ major

No sign in JC & EF

 in PE

Possible interpretation of  in PE
..

In the main text we give  visible in PE. According to us, it cannot be excluded that the range of the sign was misinterpreted by the engraver; therefore, as an alternative, we propose slightly shorter hairpins which correspond to the division into motifs indicated by the rest and slurs. In JC and EF, there are no performance markings in this bar.

Compare the passage in the sources »

category imprint: Interpretations within context; Differences between sources

issues: Inaccuracies in PE

b. 23

composition: WN 17, Polonaise in B♭ major

No markings in JC & EF

  in PE
..

In the main text we give the most probably authentic dynamic markings of PE.

Compare the passage in the sources »

category imprint: Differences between sources

b. 24

composition: WN 17, Polonaise in B♭ major

No sign in JC & EF

 in PE
..

In the main text we consider the most probably authentic  hairpins from PE. Cf., e.g., the notes related to bars 20 and 23. 

Compare the passage in the sources »

category imprint: Differences between sources

b. 24

composition: WN 17, Polonaise in B♭ major

No markings in JC

 and > in #FE

 in PE
..

The combination of  and an accent is featured both in EF and in PE, yet in EF the accent is short, while in PE – long. In JC there are no indications. (In GEF there is no accent in Da Capo, written out in notes). 

Compare the passage in the sources »

category imprint: Differences between sources

issues: Long accents

b. 25-31

composition: WN 17, Polonaise in B♭ major

No marks in JC & EF

Wedges in PE
..

The wedges over and under the first notes in bars 25, 27, 29, and 31 are only in PE. We consider this improvement of the notation, most probably introduced into [A], in the main text. The first of the wedges for the L.H. was mistakenly put under  G in bar 24. In bar 31, only the sign referring to the L.H. was printed.  

Compare the passage in the sources »

category imprint: Differences between sources

issues: Inaccuracies in PE