Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
WN 17, Polonaise in B♭ major
Neither in PE, which certainly recreates the layout of [A] accurately, nor in JC, the end of the Polonaise is explicitly marked. Double bar lines, the indication Trio in bar 52, and the generally known dance form allowed to understand the order and scope of particular sections without any difficulties.
Cf. the note concerning bar 103.
In EF, all performed sections are written out entirely, therefore, there is no need to insert the hints clarifying the piece's form.
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category imprint: Editorial revisions; Source & stylistic information
notation: Shorthand & other
