Page: 
Source: 
p. 5, b. 91-138
p. 1
p. 2
p. 3, b. 1-46
p. 4, b. 47-90
p. 5, b. 91-138
p. 6, b. 139-186
p. 7, b. 187-242
p. 8, b. 243-283
p. 9, b. 284-335
p. 10, b. 336-409
p. 11, b. 410-476
p. 12, b. 477-520
p. 13, b. 521-564
p. 14, b. 565-604
p. 15, b. 605-649
p. 16
GC - Gutmann's copy
Main text
GC - Gutmann's copy
EE - English edition
EE1 - First English edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
GC - Gutmann's copy
EE - English edition
EE1 - First English edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF GC - Gutmann's copy


  b. 113

Rhythm in EE, GC (→GE1), and a contextual interpretation of FE

GE2

In FE this bar has 7 quavers as, despite the presence of a quaver rest, all the three octaves are written in crotchets. We think that this error should be corrected by adding quaver flags to the octaves at the beginning of the bar; this leads to the version compliant with EE and GC (→GE1). It is also the version that FE has in analogous bars 31 and 373.
The rhythm of GE2 here is absolutely arbitrary.

See b. 47

Compare the passage in the sources »

category imprint: Interpretations within context; Differences between sources

issues: Errors in FE, GE revisions

notation: Rhythm