Issues : Long accents
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b. 397
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composition: Op. 39, Scherzo in C♯ minor
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Long accent present in FE may well be perceived as optional interpretation of the remaining sources notation. category imprint: Interpretations within context; Differences between sources issues: Long accents |
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b. 414-415
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composition: Op. 39, Scherzo in C♯ minor
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No marks in EE may come from the earlier version or be an omission. A mark in GC, rightly interpreted in b. 73 in GE as a long accent, here (b. 415) was extended to almost whole bar hairpins. category imprint: Differences between sources issues: Long accents |
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b. 416-431
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composition: Op. 39, Scherzo in C♯ minor
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The length of an accent used here remains an unsettled issue - short in EE and GC or long in FE (also in subsequent bars - compare bars 418-431). For GE we adopt a short accent just like GC, and the fact that the accent is placed under the RH part must have been the engraver's arbitrary decision. category imprint: Differences between sources issues: Long accents , Placement of markings , GE revisions |
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b. 418-431
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composition: Op. 39, Scherzo in C♯ minor
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In these bars the question of short or long accents has not beeb resolved. Fortunately enough, a performer who has both options at his disposal is triggered to think about his own idea. The lack of most of the accents in EE must be the engraver's error - the accents end at the beginning a new line of text. The lack of accent in b. 423 in FE is an obvious error too, and we suggest two ways of dealing with it. category imprint: Differences between sources issues: Long accents , Errors in EE |
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b. 423
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composition: Op. 39, Scherzo in C♯ minor
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category imprint: Interpretations within context; Differences between sources issues: Long accents |
in 
& accent in 
