mUltimate Chopin

Op. 39, Scherzo in C♯ minor

Text Compare Notes Sources Description
Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main
Undo Clear

b. 267

composition: Op. 39, Scherzo in C♯ minor

D1 in EE, GC (→GE) & FE2

F1 in FE1
..

At the beginning of the bar FE1 has F1. This is almost certainly an error and it got corrected in FE2.

category imprint: Differences between sources

issues: Errors in FE

b. 267

composition: Op. 39, Scherzo in C♯ minor

..

A rest on the 2nd beat of the bar is missing in FE.

category imprint: Source & stylistic information

issues: Errors in FE

b. 268-270

composition: Op. 39, Scherzo in C♯ minor

 in EE & FE

GC

GE

Our alternative suggestion
..

Differences in the scope of the dynamic hairpin  may be accidental. Along with source versions we propose the hairpin modelled after the solution adopted in three previous analogous places. 

category imprint: Interpretations within context; Differences between sources

b. 270

composition: Op. 39, Scherzo in C♯ minor

..  

category imprint: Differences between sources; Source & stylistic information

issues: Errors in EE

b. 271

composition: Op. 39, Scherzo in C♯ minor

No sign in EE & GC (→GE)

 in FE

Our variant suggestion
..

The  mark is only present in FE. Both versions of the pedalling are authentic and, in our opinion, equally valid, so we offer the variant solution in the main text.

category imprint: Differences between sources