Pedalling
b. 223
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composition: Op. 39, Scherzo in C♯ minor
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The fact that is missing both from EE and from GC (→GE) suggests that the asterisk was already omitted in the autograph. category imprint: Differences between sources issues: Errors in EE , Errors of GC |
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b. 226
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composition: Op. 39, Scherzo in C♯ minor
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For our main text we take the mark placed mid-bar, according to EE and GC, being the two out of three sources that could have been based on the autograph. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 228-229
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composition: Op. 39, Scherzo in C♯ minor
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As there is no reason for the pedalling in this passage to differ from that in analogous bars 183-185, we give precedence to the version of EE and GC (→GE). category imprint: Differences between sources issues: Inaccuracies in FE |
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b. 232
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composition: Op. 39, Scherzo in C♯ minor
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In the main text we give after GC (→GE) and FE. Each of those two sources is probably autograph-based. category imprint: Differences between sources |
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b. 244-245
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composition: Op. 39, Scherzo in C♯ minor
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Our suggestion for adding pedal marks results from comparison with subsequent, similar passages. In similar fragments (bars 252-253, 260-261 and 268-269) pedal changes are noted in some sources (FE). category imprint: Editorial revisions |