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b. 245

composition: Op. 39, Scherzo in C♯ minor

d2-b1 w EE & GC (→GE)

b1-g1 in FE ('harmonic' interpretation)

..

The version of FE, with an added  heightening
 g1 to g1, could be possible from the harmonic point of view. Still, the pianistic complication that finds no justification in sound terms plus the consistent version of all the remaining sources and the analogous bar 253 strongly indicate that we a re dealing here with the "Terzverschreibung" error.

category imprint: Differences between sources

issues: Errors in FE , Terzverschreibung error

b. 254

composition: Op. 39, Scherzo in C♯ minor

..

As the 1st note in the L.H. FE1 has the erroneous f2. That obvious mistake was corrected in FE2.

category imprint: Differences between sources

issues: Errors in FE , Terzverschreibung error

b. 259

composition: Op. 39, Scherzo in C♯ minor

D1 in EE & GC (→GE)

E1-D in FE1

Octave as a supposed FE1 version

D1-D in FE2

..

The seventh E1-D, written in two-part notation, is definitely an error of FE1 probably resulting from carelessly done proofing. We give the octave D1-D as the intended version of that edition, which results in a version analogous to bar 243. It is not entirely unlikely that the correction was only meant to be done for the D1 note alone, just like in the remaining sources. In FE2E1 was changed to D1.

category imprint: Differences between sources

issues: Errors in FE , FE revisions

b. 267

composition: Op. 39, Scherzo in C♯ minor

D1 in EE, GC (→GE) & FE2

F1 in FE1

..

At the beginning of the bar FE1 has F1. This is almost certainly an error and it got corrected in FE2.

category imprint: Differences between sources

issues: Errors in FE

b. 270

composition: Op. 39, Scherzo in C♯ minor

category imprint: Differences between sources; Source & stylistic information

issues: Errors in EE