Pitch
b. 245
|
composition: Op. 39, Scherzo in C♯ minor
..
The version of FE, with an added heightening g1 to g1, could be possible from the harmonic point of view. Still, the pianistic complication that finds no justification in sound terms plus the consistent version of all the remaining sources and the analogous bar 253 strongly indicate that we a re dealing here with the "Terzverschreibung" error. category imprint: Differences between sources issues: Errors in FE , Terzverschreibung error |
|||||||||||
b. 254
|
composition: Op. 39, Scherzo in C♯ minor category imprint: Differences between sources issues: Errors in FE , Terzverschreibung error |
|||||||||||
b. 259
|
composition: Op. 39, Scherzo in C♯ minor
..
The seventh E1-D, written in two-part notation, is definitely an error of FE1 probably resulting from carelessly done proofing. We give the octave D1-D as the intended version of that edition, which results in a version analogous to bar 243. It is not entirely unlikely that the correction was only meant to be done for the D1 note alone, just like in the remaining sources. In FE2, E1 was changed to D1. category imprint: Differences between sources issues: Errors in FE , FE revisions |
|||||||||||
b. 267
|
composition: Op. 39, Scherzo in C♯ minor
..
At the beginning of the bar FE1 has F1. This is almost certainly an error and it got corrected in FE2. category imprint: Differences between sources issues: Errors in FE |
|||||||||||
b. 270
|
composition: Op. 39, Scherzo in C♯ minor
..
 
category imprint: Differences between sources; Source & stylistic information issues: Errors in EE |