Articulation, Accents, Hairpins
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b. 20
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In GE2 (→GE3), an accent was added on the 3rd beat of the bar. That adjustment was based on the authentic sign in the analogous bar 52. In our opinion, that detail does not need to be made uniform. category imprint: Differences between sources issues: GE revisions |
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b. 21
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composition: Op. 24 No. 4, Mazurka in B♭ minor category imprint: Differences between sources issues: GE revisions |
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b. 23
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In A it is not quite clear which of the staccato signs Chopin had in mind: a dot or a wedge. In our view, a dot is much more likely. The sign was omitted from GE1 (→FE→EE), and put back in GE2 (→GE3). category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , Wedges |
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b. 24
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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The pen trace visible in A under the grace note may mean a staccato dot. In GE (→FE→EE) it was not taken into consideration. category imprint: Graphic ambiguousness |
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b. 24
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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The long accent of A was reproduced in GE as a short one and moved under the stave. In FE (→EE) the mark was accidentally omitted. category imprint: Differences between sources issues: Long accents , Errors in FE , Inaccuracies in GE |
