Issues : Wedges

b. 79

composition: Op. 24 No. 4, Mazurka in B♭ minor

A wedge in A

A dot in GE (→FEEE)

..

The wedge written in A over the 1st quaver of the bar was replaced with a dot under the note in GE (→FEEE).

category imprint: Differences between sources

issues: Inaccuracies in GE , Wedges

b. 82

composition: Op. 24 No. 4, Mazurka in B♭ minor

A wedge in A

Without any sign in GE1 (→FEEE)

A staccato dot in GE2 (→GE3)

..

We give the wedge written in A. In GE1 (→FEEE)  the sign was omitted and a dot was added in GE2 (→GE3).

category imprint: Differences between sources

issues: Errors in GE , GE revisions , Wedges

b. 92-93

composition: Op. 24 No. 4, Mazurka in B♭ minor

Wedges in A

No signs in GE1 or EE

Dots in FE

Dots in GE2 (→GE3)

..

In A, the quavers a flat at the beginning of those bars have wedges;  in GE1 the wedges were omitted. In FEstaccato dots were added instead, which is most probably the result of Chopin's intervention. Dots were also added in GE2 (→GE3). Absence of any signs in EE might mean that some of the changes in FE were introduced after copies had been sent to London as base texts for EE1.

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE , Wedges

b. 94

composition: Op. 24 No. 4, Mazurka in B♭ minor

Wedges in A

Dots in GE (→FE)

Without the 1st dot in EE

..

The two distinct wedges visible in A were reproduced in GE (→FEEE) as dots, and in EE the first of them was omitted.

category imprint: Differences between sources

issues: Wedges

b. 100

composition: Op. 24 No. 4, Mazurka in B♭ minor

The staccato sign in A (literal reading)

 
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The staccato sign here is in the form of a short thin line, differing from the usual, point-like dots. A comparison with analogous places in the text (bars 14, 38 and similar ones) suggests inaccurate notation of A (uncontrolled hand movement).

category imprint: Graphic ambiguousness

issues: Wedges