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Issues : Authentic corrections of FE
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b. 92-93
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In A, the quavers a flat at the beginning of those bars have wedges; in GE1 the wedges were omitted. In FE, staccato dots were added instead, which is most probably the result of Chopin's intervention. Dots were also added in GE2 (→GE3). Absence of any signs in EE might mean that some of the changes in FE were introduced after copies had been sent to London as base texts for EE1. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Wedges |
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b. 93
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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As the 2nd crotchet A (→GE) has the chord e flat-g flat-c1, as in the previous bar. In the proofing of FE (→EE) Chopin added the note A flat and the arpeggio wavy line. category imprint: Differences between sources; Corrections & alterations |
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b. 127-128
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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A (→GE) has triads as the 2nd and the 3rd crotchets of those bars, although in the first triad in bar 127 the note c1 is practically invisible in the manuscript. When proofing FE, Chopin removed the middle notes of the triads leaving only the sixths. That corrected version was repeated in EE1 (→EE2). EE3 returned to the version of GE1 with the full triads (the omitted note b flat on the 2nd beat of bar 128 must be a mistake). category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations issues: EE revisions , Authentic corrections of FE , Uncertain notes on ledger lines |
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b. 138
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In A (→GE), there is a category imprint: Differences between sources issues: Cautionary accidentals , Authentic corrections of FE |
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b. 143
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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Chopin added the marking category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Authentic corrections of FE |
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