b. 6
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In EE, the staccato dot was erroneously placed over the semiquaver b flat1 instead of placing it above the crotchet. category imprint: Differences between sources issues: Errors in EE |
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b. 6
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In this place, the staccato sign has the form of a short, thin line, differing from the usual dots. Comparison with analogous places (bars 8, 14, 18 and similar) suggests inaccurate notation of A (uncontrolled hand movement). The same remarks apply to the signs in bars 16 and 23 on the same page. category imprint: Graphic ambiguousness issues: Wedges |
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b. 6
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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Visible in A is an erased repeat sign marking bar 6 as opening a section to be repeated. category imprint: Source & stylistic information issues: Corrections in A |
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b. 7-8
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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The slur in those bars is evident in A (→GE1) and provokes no stylistic doubts. The change made in GE2 (→GE3) by analogy with bars 5-6 and 9-10, where the notation of A is not that clear, misses - in our opinion - Chopin's intention. The absence of the slur in FE (→EE) is doubtless a mistake. category imprint: Differences between sources issues: Errors in FE , GE revisions |
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b. 7
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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We add a cautionary before g flat1. category imprint: Editorial revisions |