EE1
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Later impression of GE2
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Second impression of EE1
EE3 - Revised impression of EE2
compare
  b. 92-93

Wedges in A

No signs in GE1 or EE

Dots in FE

Dots in GE2 (→GE3)

In the main text we preserve the notation of A, in which staccato signs in the R.H. clearly differ from dots in the L.H. The dots in the R.H. added – probably by Chopin - in the proofing of FE  may not be considered as the ultimate change of the composer's decision regarding the type of used signs for two reasons: 

  • Chopin did not actually replace wedges with dots, as there were no wedges in the text he was correcting; his correction consisted in supplementing the signs mistakenly omitted in GE1;
  • when going through the proof copy of FE, in the entire Opus 24 Chopin only saw dots as staccato signs. Returning to the dual system of staccato markings would have required tedious and difficult work on the part of the composer, not to mention the engravers of FE, who would have had to correct the text reproduced correctly by them on the basis of the base text received from Leipzig. It is easy to understand that, given the circumstances, Chopin decided against such a step. On the other hand, introduction of a few wedges locally, e.g. in the discussed bars, would have given them another meaning than the one they had in A, in which they occurred as frequently as dots in the R.H..

The puzzling thing is the absence in EE of the dots added in FE. This could indicate that the proofing of FE was done in two stages, of which the second stage took place after copies had been sent to London for the preparation of EE1. Still, an argument against this theory is the generally high number of omitted signs in EE1, also in situations where there were no corrections made in FE.

Compare the passage in the sources »

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE, Wedges

notation: Articulation, Accents, Hairpins

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