Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Articulation, Accents, Hairpins
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


Articulation, Accents, Hairpins

b. 5

composition: Op. 24 No. 4, Mazurka in B♭ minor

A long accent in A

A short accent in GE (→FEEE)

..

A long accent at the beginning of the bar is very clear in A, having a characteristic shape and a typical size. Nevertheless, a short accent was printed in GE (→FEEE).

category imprint: Differences between sources

issues: Long accents , Inaccuracies in GE

b. 5

composition: Op. 24 No. 4, Mazurka in B♭ minor

A staccato dot in A

The dot missing in  GE (→FEEE)

..

The lack of the dot in GE (→FEEE) is probably due to oversight on the part of the engraver. 

category imprint: Differences between sources

issues: Inaccuracies in GE

b. 6

composition: Op. 24 No. 4, Mazurka in B♭ minor

A staccato crotchet in A (→GEFE)

staccato semiquaver in EE

..

In EE, the staccato dot was erroneously placed over the semiquaver b flat1 instead of placing it above the crotchet. 

category imprint: Differences between sources

issues: Errors in EE

b. 6

composition: Op. 24 No. 4, Mazurka in B♭ minor

..

In this place, the staccato sign has the form of a short, thin line, differing from the usual dots.  Comparison with analogous places (bars 8, 14, 18 and similar) suggests inaccurate notation of A (uncontrolled hand movement). The same remarks apply to the signs in bars 16 and 23 on the same page.

category imprint: Graphic ambiguousness

issues: Wedges

b. 10

composition: Op. 24 No. 4, Mazurka in B♭ minor

A long accent in A

A short accent in GE (→FEEE)

..

The long accent of A was reproduced as a short one in GE (→FEEE).

category imprint: Differences between sources

issues: Long accents