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b. 23
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In GE1 (→FE→EE) the quaver c1 from A was misread as extended to a crotchet with an additional downward stem. category imprint: Graphic ambiguousness; Differences between sources issues: Uncertain notes on ledger lines |
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b. 24
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In FED Chopin marked that the grace chord is to be struck simultaneously with d category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Synchronization markings |
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b. 24
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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The slur linking the grace note with the main note in A (→GE1) was omitted from FE (→EE) and GE2. In GE3, an arpeggio symbol was added before the grace note. This might have been prompted by the notation of A, as in his later years Chopin used such slurs to mark arpeggios. However, in the Mazurkas he was still using squiggly lines for that purpose. category imprint: Differences between sources issues: Errors in FE , GE revisions |
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b. 24
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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The pen trace visible in A under the grace note may mean a staccato dot. In GE (→FE→EE) it was not taken into consideration. category imprint: Graphic ambiguousness |
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b. 24
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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We expand the currently disused abbreviation scherz. found in A (→GE1→FE→EE). That adjustment has already been made in GE2 (→GE3). category imprint: Source & stylistic information issues: Abbreviated indications |
in the left hand. Similarly in bar 32. Cf. Nocturne in D
