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Issues : Inaccuracies in GE
b. 44
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composition: Op. 24 No. 2, Mazurka in C major
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In GE2 (→GE3), the slur end was moved to the 2nd quaver d2, probably after comparison had been made with the notation of GE1 in the majority of analogous bars. Cf. the note to bar 6. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 46
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composition: Op. 24 No. 2, Mazurka in C major
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The lack of the staccato sign in EE1 (→EE2) is certainly an error. The same inaccuracy in GE2 (→GE3) is puzzling, yet an accidental omission is also a plausible explanation here as well. The dot in EE3 was added on the basis of GE1, as the reviewer of EE3 definitely availed himself of that German edition. category imprint: Differences between sources issues: EE revisions , Inaccuracies in GE , EE inaccuracies |
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b. 52
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composition: Op. 24 No. 2, Mazurka in C major
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The staccato dot above the 2nd chord of the L.H. was added in GE2 (→GE3) probably by analogy to bar 20. We do not include that arbitrary addition in our main text. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 54
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composition: Op. 24 No. 2, Mazurka in C major
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In A the accent mark and category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , EE inaccuracies |
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b. 55
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composition: Op. 24 No. 2, Mazurka in C major
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We consider the omission of the dot above the 1st crotchet in GE1 (→FE→EE) to be accidental, as the engraver probably placed the dot above a wrong note. The dot was supplemented in GE2 (→GE3). category imprint: Differences between sources issues: Inaccuracies in GE |