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b. 41-43
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composition: Op. 24 No. 2, Mazurka in C major
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The accents on the 2nd beat in bars 41 and 43 are definitely long ones in A, yet GE1 (→FE→EE) have short accents in both places. That inaccuracy was corrected in GE2 (→GE3). category imprint: Differences between sources issues: Long accents , Inaccuracies in GE |
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b. 42
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composition: Op. 24 No. 2, Mazurka in C major
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In A (→GE1→GE2, FE→EE), there are no staccato signs above the crotchet on the 2nd beat of the bar. In GE3 a dot was added. As the lack of the sign most probably results from inaccurate notation of A, in our main text we add a wedge, following the example of most analogous bars. category imprint: Interpretations within context; Differences between sources issues: GE revisions |
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b. 44
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composition: Op. 24 No. 2, Mazurka in C major
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In GE2 (→GE3), the slur end was moved to the 2nd quaver d2, probably after comparison had been made with the notation of GE1 in the majority of analogous bars. Cf. the note to bar 6. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 44
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composition: Op. 24 No. 2, Mazurka in C major
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The wedge above the crotchet b1, present in A, was omitted from GE1 (→FE→EE). The staccato sign was restored in GE2 (→GE3) in the form of a dot. category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 45
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composition: Op. 24 No. 2, Mazurka in C major
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In all the first editions the indication forte was replaced with the symbol category imprint: Differences between sources issues: GE revisions |
. Also, the accent in più is missing in