Main text
Main text
AO - Autograph Oury
AR - Autograph Rotschild
AE - Autograph Eszterhazy
AK - Autograph Krudner
AG - Autograph Gavard
CX - Copy of Autograph Eszterhazy
CY - Copy of Autograph Gavard
CC - Czartoryscy copy
F - Fontana Version
FC - Fontana copy
PE - First Polish edition
FEF - Fontana's French edition
GEF - Fontana's German edition
compare
  b. 34

 

 

 

 

There are four different variants of the L.H. in the sources:
- a g-b third and then a third enhanced with a g, doubled in an octave, in AO, AE (→CX) and CC
- a doubly repeated g-b third in AR
- d-g-b triads in AK
- g-b thirds with a g doubled in an octave
In this place, PE features a four-note chord with an additional enote (g-b-e1-g1), absent in all manuscripts, which interferes harmonically with the melody in the R.H. The additional emost probably results from an erroneous interpretation of the manuscript or careless correction of the Terzverschreibung error by the engraver. In the edition of PE we remove the enote and give g-b-g1 instead.

Compare the passage in the sources »

category imprint: Differences between sources

notation: Pitch

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