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Source: 
p. 9, b. 183-207
p. 1, b. 1-24
p. 2, b. 25-49
p. 3, b. 50-75
p. 4, b. 76-103
p. 5, b. 104-124
p. 6, b. 125-141
p. 7, b. 142-161
p. 8, b. 162-182
p. 9, b. 183-207
p. 10, b. 208-228
p. 11, b. 229-248
p. 12, b. 249-269
p. 13, b. 270-292
p. 14, b. 293-312
p. 15, b. 313-332
p. 16, b. 333-352
p. 17, b. 353-373
p. 18, b. 374-399
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A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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  b. 193

Wedge in A

Staccato dot & whole-bar slur in GE (→FE,EE)

Whole-bar slur in IE

Wedge & slur from 2nd quaver suggested by the editors

In A the initial octave is provided with a staccato mark, which we interpret as a wedge – although small, the mark is clearly oblong. The differences between the notation of the staccato marks in the motif consisting of three C-c octaves are confirmed by the unambiguous notation of the analogous motifs in bars 1-2, 9-10, 11-12, 184-185 and 186-187. In GE (→FE,EE) a dot was provided, which was omitted in IE due to the slur beginning from this note or simply overlooked. A slur of this range was added in GE (→FE,EE,IE) – in A Chopin omitted it – referring to the inaccurate interpretation of the Chopinesque slurs in analogous bars (cf., e.g. bars 10-12). In the main text we add a slur after the authentic slurs in the aforementioned bars.

Compare the passage in the sources»

category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions

issues: GE revisions, Wedges,

notation: Slurs, Articulation, Accents, Hairpins

Missing markers on sources: A, EE2, EE1, IE1, GE1, FE1