Ornaments
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b. 2-8
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In EE1 these bars include only 2 arpeggio marks, at the beginning of bar 6 and 8. The engraver's patent oversight was corrected in EE2. category imprint: Differences between sources issues: EE revisions , Errors in EE |
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b. 5
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composition: (Op. 4), Sonata in C minor, Mvt IV
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The missing arpeggio before the chord in the middle of the bar is almost certainly Chopin's oversight – wavy lines are present in both analogous bar 188 and 371. category imprint: Editorial revisions issues: Errors of A |
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b. 6
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In A the arpeggio wavy line is on the right side of the chord, which almost certainly does not impact its meaning. In the editions it is in its common position. See I mov. of the Sonata, bar 202. category imprint: Interpretations within context; Differences between sources issues: GE revisions , Inaccuracies in A |
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b. 82-83
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In bar 82, the missing arpeggio in A is almost certainly due to Chopin's oversight – a side effect of the corrections (erasures) visible there. The absence of the mark in bar 83 in GE (→FE,EE,IE) can be explained similarly – inadvertence of the engraver of GE1. category imprint: Differences between sources; Editorial revisions issues: Errors resulting from corrections , Errors in GE , Errors of A |
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b. 104
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composition: (Op. 4), Sonata in C minor, Mvt IV
category imprint: Differences between sources issues: EE revisions , Errors in EE |
in 