mUltimate Chopin

(Op. 4), Sonata in C minor, Mvt IV

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b. 323

composition: (Op. 4), Sonata in C minor, Mvt IV

..

In the main text we include the cautionary  to f2 added in FE.

category imprint: Differences between sources; Editorial revisions

issues: FE revisions

b. 323-324

composition: (Op. 4), Sonata in C minor, Mvt IV

..

In EE1 the ties to the L.H. chord were overlooked, which also contributed to a pitch mistake, as the bottom note of the chord in bar 324 is devoid of a . The ties were added in EE2.

category imprint: Differences between sources

issues: EE revisions , Errors in EE

b. 324

composition: (Op. 4), Sonata in C minor, Mvt IV

in A

 in GE (→FE,IE) & EE2

No sign in EE1
..

In the main text we provide a  after A. In GE (→FE,IE) the mark was slightly moved and extended. The absence of the mark in EE1 is due to an oversight, corrected in EE2.

category imprint: Differences between sources

issues: EE revisions , Inaccuracies in GE , Errors in EE

b. 325

composition: (Op. 4), Sonata in C minor, Mvt IV

Triad in A (→GE→FE,IE) & EE2

b1 only in EE1
..

The EE1 version is a mistake by the engraver, corrected in EE2.

In the main text we omit the  to the d1 minim in the middle of the bar, unnecessarily repeated in A. It was also omitted in GE (→FE,EE,IE).

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , Errors in EE , GE revisions , Cautionary accidentals

b. 325-326

composition: (Op. 4), Sonata in C minor, Mvt IV

in A

Longer  in GE (→FE,IE)

No sign in EE
..

In the main text we reproduce the  hairpin entered into A. In GE (→FE,IE) the mark was arbitrarily extended, as a result of which it spans almost two entire bars (a similar situation is to be found 4 bars later). The absence of the mark in EE is most probably due to the engraver's oversight.

category imprint: Differences between sources

issues: Inaccuracies in FE , Scope of dynamic hairpins , Errors in EE , GE revisions ,