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b. 138-139
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In A there are no naturals to the last L.H. crotchet in bar 138 (a) and to the last quavers in bar 139 (e1 and e1). In GE (→FE,EE,IE) only the accidentals in bar 139 were added. category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE , Errors repeated in IE |
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b. 139
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composition: (Op. 4), Sonata in C minor, Mvt IV
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When interpreted literally, the A slur begins from b. However, the shape of the slur suggests e as the intentional starting point of the slur, and this is how it was reproduced in the editions. We adopt this phrasing, more natural in this context, also to the main text. FE and IE assumed that the imprecise ending of the slur in GE (→EE) reaches the last quaver in the bar. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , Inaccurate slurs in A , GE revisions , FE revisions , |
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b. 140
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In A e and a in the L.H. and e1 and a2 in the R.H., the pitch of which is unquestionable due to the harmonic context, are devoid of the necessary accidentals. All the omitted naturals were added in GE (→FE,EE,IE). category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 140-141
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In the main text, we do not include the inauthentic R.H. fingering added by EE. category imprint: Differences between sources issues: EE revisions |
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b. 141
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In the main text we add a cautionary category imprint: Differences between sources; Editorial revisions issues: EE revisions |
to b
2 at the beginning of the bar. The accidental was also added in