In A the 
hairpin was written carelessly, hence in the main text we slightly extend it. In GE (→FE,EE,IE) the mark was extended to encompass almost an entire bar, which could suggest the performer a different approach to the crescendo with respect to the one indicated by Chopin. See also bar 328.
Compare the passage in the sources »
category imprint: Differences between sources
issues: Scope of dynamic hairpins, GE revisions
notation: Articulation, Accents, Hairpins
