The GE revision (→FE,EE,IE) is justified – all crotchets in this bar (and most probably also in the next one) are certainly to be performed with the same articulation. However, starting from the 2nd half of the bar, Chopin used staccato marks to separate (accent) some R.H. quavers and could have wanted to avoid similar marks in the accompanying part. Due to the above, in the main text we do not include the marks added in the editions.
Compare the passage in the sources »
category imprint: Differences between sources
issues: GE revisions
notation: Articulation, Accents, Hairpins
