Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
(Op. 4), Sonata in C minor, Mvt IV
In the L.H. part in EE1 in bar 224 the text of the next bar was printed (without performance markings and the ledger line for the 2nd crotchet). It resulted in an erroneous, although acceptable in terms of pitch, text in bar 244 (c
-c1-b-b1) and in vague and rather illogical three first crotchets in bar 225, which are a1-a2-g2. It is difficult to say how the performers playing from EE1 dealt with this version, hence we do not try to create a content transcription in this case, which would be purely hypothetical.
As far as the remaining sources are concerned, in GE (→FE,EE,IE) a flat to the 3rd crotchet in bar 224 (g) and a flat to the 2nd crotchet in bar 225 (c1) were added, omitted in A.
Compare the passage in the sources »
category imprint: Interpretations within context; Differences between sources
issues: EE revisions, Accidentals in different octaves, Errors in EE, GE revisions, Inaccuracies in A
notation: Pitch, Articulation, Accents, Hairpins, Verbal indications
