IE1
Main text
A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
compare
  b. 393

from 2. quaver in A

 from 3rd quaver in GE (→FE,EE,IE)

 from 1st quaver, our alternative suggestion

In the main text we put the  over the 2nd quaver, in accordance with the A notation. However, it is highly likely that the indication is supposed to be in force from the beginning of the bar, and its position is an example of a manner that can often be found in Chopin's pieces, that is putting markings within their scope of validity (and not at the beginning). Cf., e.g. the Concerto in E minor, Op. 11, I mov., bar 16.

Compare the passage in the sources »

category imprint: Graphic ambiguousness; Differences between sources

issues: Inaccuracies in GE, Centrally placed marks

notation: Verbal indications

Go to the music

Original in: Conservatorio di Musica Giuseppe Verdi, Milan