Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


b. 51-53

composition: (Op. 4), Sonata in C minor, Mvt I

No fingering in A (→GEFE,IE)

Fingering in EE

..

In the main text we omit the inauthentic fingering added by EE.

category imprint: Differences between sources

issues: EE revisions

b. 51

composition: (Op. 4), Sonata in C minor, Mvt I

..

In the main text we add cautionary naturals to the d1-d2 octave.

category imprint: Editorial revisions

b. 52-54

composition: (Op. 4), Sonata in C minor, Mvt I

..

In the main text we include the cautionary  to B in bar 52, added by GE (→FE,EE,IE). Moreover, we add a  to g in bar 54.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 53-55

composition: (Op. 4), Sonata in C minor, Mvt I

..

In the main text we add cautionary flats to a1-a2 in bar 53 and to a2-a3 in bar 55.

category imprint: Editorial revisions

b. 55-58

composition: (Op. 4), Sonata in C minor, Mvt I

No fingering in A (→GEFE,IE)

Fingering in EE

..

In the main text we omit the inauthentic R.H. part fingering added by EE.

category imprint: Differences between sources

issues: EE revisions