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Op. 49, Fantaisie in F minor

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b. 68

composition: Op. 49, Fantaisie in F minor

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In the main text, we add a cautionary  before C1.

category imprint: Editorial revisions

b. 70

composition: Op. 49, Fantaisie in F minor

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The first quaver in the last triplet was initially written as an a in A. At that time the rhythm of harmonic changes was analogous to bar 69. In the final version Chopin opted for the same rhythm as in the 2nd half of the preceding bar. Traces of changes following a similar direction are also visible in bar 159 and 238.

category imprint: Corrections & alterations; Source & stylistic information

issues: Corrections in A , Deletions in A , Accompaniment changes

b. 71

composition: Op. 49, Fantaisie in F minor

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In A (→GE1) and FE1 there is no accidental to the b1 crotchet. A cautionary  was added – perhaps at Chopin's request – at the stage of proofreading FE2 (→EE) and independently by GE2.

category imprint: Differences between sources

issues: GE revisions , Cautionary accidentals , Authentic corrections of FE

b. 73-74

composition: Op. 49, Fantaisie in F minor

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In the main text in both bars we add cautionary flats to b and d1. In A (→FE1) Chopin wrote only the latter (a  to d1 in bar 74). In FE1 a  to d1 was added in bar 73, in GE a  to b in bar 74, while in EE both flats.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions , Cautionary accidentals , FE revisions

b. 73

composition: Op. 49, Fantaisie in F minor

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In the main text we add a cautionary  to b1.

category imprint: Editorial revisions