mUltimate Chopin

Op. 49, Fantaisie in F minor

Text Compare Notes Sources Description
Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main
Undo Clear

b. 286

composition: Op. 49, Fantaisie in F minor

..

In FE there are no accidentals to the minim L.H. chord. The mistake was corrected in EE by adding a necessary  raising e1 to e1 as well as a  to e (superfluous, in A it was deleted).

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE

b. 287-290

composition: Op. 49, Fantaisie in F minor

to b. 288 & 290 in A (→GE)

No signs in FE (→EE1)

in b. 287 & to b. 290 in EE2
..

As in analogous bars 120-123, the  hairpins were almost certainly added to A after [FC] had been finished, which explains their absence in FE (→EE1). In EE2 the marks were added on the basis of GE1, yet the first was reproduced inaccurately, omitting its ending in bar 288.

category imprint: Differences between sources

issues: EE revisions

b. 287

composition: Op. 49, Fantaisie in F minor

..

In FE the second half of the bar was written down using an abbreviation, as two crotchets with quaver tremolos. EE wrote this abbreviation in full, thus restoring – most probably unconsciously – the original notation.

category imprint: Differences between sources

issues: EE revisions , FE revisions

b. 288-289

composition: Op. 49, Fantaisie in F minor

..

In bar 288, in the minim L.H. chord, Chopin repeated a  to e1, perhaps confused by the difference in levels between this note and the e1 note in the 1st chord in the bar. The superfluous accidental was omitted in FE (→EE). Similarly, in bar 289 all sources feature a  to a in the 1st quaver chord. In the same chord, however, the necessary  raising e to e is missing.

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: Cautionary accidentals , Omission of current key accidentals , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE

b. 290

composition: Op. 49, Fantaisie in F minor

..

The chord in the 2nd half of the bar initially contained b(2) instead of a(2), which can be seen under the deletion visible in A.

category imprint: Corrections & alterations; Source & stylistic information

issues: Corrections in A , Deletions in A , Accompaniment changes