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b. 76-77
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composition: Op. 49, Fantaisie in F minor
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In A the slur in bar 76, last in a line, suggests that it should be continued, which is not confirmed by the slur at the beginning of bar 77. The comparison with analogous situations in bars 163-164 and 243-244, which are not at the beginning or end of a line in A, does not make it easier to guess Chopin's intention, since in bars 163-164 there is a continuous slur, whereas in bars 243-244 the slur is divided. In this situation, to the main text we adopt the FE solution, which could be considered compromise – the slurs meeting on the 1st quaver in bar 77. category imprint: Graphic ambiguousness; Differences between sources |
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b. 76
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composition: Op. 49, Fantaisie in F minor
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In the main text we suggest slurs modelled on analogous bar 163 – see bars 68-75. category imprint: Editorial revisions |
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b. 77
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composition: Op. 49, Fantaisie in F minor
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In the main text we include the cautionary category imprint: Differences between sources issues: Cautionary accidentals , Authentic corrections of FE , FE revisions |
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b. 77-82
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composition: Op. 49, Fantaisie in F minor
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In A (→FE1) there are no flats restoring d category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , GE revisions , Authentic corrections of FE , Errors repeated in FE |
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b. 77
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composition: Op. 49, Fantaisie in F minor
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The slurs were probably added to A after [FC], on which FE was based, had been finished. In EE2 they were added after comparing it with GE1. category imprint: Differences between sources issues: EE revisions |