|
b. 70
|
composition: Op. 49, Fantaisie in F minor
..
The earlier pedal release marked in A (→GE) must be Chopin's mistake, probably having resulted from the visible corrections to the L.H. part. In the main text we give the undoubtedly correct FE (→EE) pedalling, compliant with the harmonic course (no change of chord in this half of the bar). category imprint: Differences between sources issues: Errors in EE , Errors resulting from corrections , Authentic corrections of FE |
|||
|
b. 70-71
|
composition: Op. 49, Fantaisie in F minor
..
The fourth L.H. triplet was deleted in A and rewritten on the stave below. However, the change rather concerned the rhythm and the way the R.H. part was written, since the pitch of the L.H. notes remained unchanged. According to us, the correction consisted of 2 stages, while the subsequent versions preceding the final text looked like as follows: 1. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A |
|||
|
b. 70
|
composition: Op. 49, Fantaisie in F minor
..
The first quaver in the last triplet was initially written as an a category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Accompaniment changes |
|||
|
b. 71
|
composition: Op. 49, Fantaisie in F minor
..
The easiest explanation for the missing additional slur in FE (→EE1) is an oversight by the copyist in [FC] or by the engraver of FE. In EE2 the slur was added on the basis of GE1. category imprint: Differences between sources issues: EE revisions , Errors in FE |
|||
|
b. 71
|
composition: Op. 49, Fantaisie in F minor
..
In A (→GE1) and FE1 there is no accidental to the b category imprint: Differences between sources issues: GE revisions , Cautionary accidentals , Authentic corrections of FE |
after 9th quaver in 
2. 
in 
was added – perhaps at Chopin's request – at the stage of proofreading