Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 49, Fantaisie in F minor
After adding the transitional g1 quaver on the 1st beat in A, Chopin remembered to remind us that on the 3rd beat g
should be restored. However, he did it in an unfortunate manner by adding a cautionary 
only to the 2nd quaver in the triplet, g. Consequently, the semiquaver at the end of the bar, when interpreted literally, is still a g1; as far as cautionary accidentals are concerned, a to the G crotchet would be more justified, which appears earlier than the aforementioned quaver. This erroneous and illogical notation was repeated unchanged by GE, whereas a restoring g1 was added only by EE2. We also add it in the main text, omitting the to g.
Compare the passage in the sources »
category imprint: Interpretations within context; Differences between sources
issues: EE revisions, Errors resulting from corrections, Cautionary accidentals, Errors of A, Errors repeated in GE
notation: Pitch
