Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 49, Fantaisie in F minor
The deletions visible in A allow us to discover that:
- Chopin started writing the L.H. part an octave higher, from g
1-g2; - in the R.H. part in both bars, and in the L.H. in bar 198 (4 octaves in total), there were f notes (and not g), most probably with f
in mind. The presence of the notes without sharps suggests that in the draft autograph (lost), on the basis of which Chopin wrote A, the change of key – perhaps unmarked – took place 2 bars earlier than in the final version.
Compare the passage in the sources »
category imprint: Corrections & alterations; Source & stylistic information
issues: Corrections in A, Errors of A, Deletions in A, Enharmonic corrections
notation: Pitch
