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b. 134-140
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composition: Op. 12, Variations in B♭ major
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Most of the wedges present in FE (→EE) were arbitrarily changed to staccato dots in GE – see the note in bar 7. As the change covers all wedges included in GE, we consider the version of this edition to be one variant, on this page encompassing generally 4 marks in bar 134 and 139-140, yet we discuss the L.H. mark at the beginning of bar 140 separately due to other source issues. category imprint: Differences between sources issues: GE revisions |
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b. 134
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composition: Op. 12, Variations in B♭ major
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In the main text we add cautionary flats to b category imprint: Editorial revisions |
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b. 134
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composition: Op. 12, Variations in B♭ major
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The sources do not include a category imprint: Interpretations within context issues: Inaccuracies in FE , Errors repeated in GE , Errors repeated in EE |
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b. 136
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composition: Op. 12, Variations in B♭ major
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There is no doubt that the omission of the slur in FE (→EE) was accidental – cf. the adjacent bars, particularly the first appearance of this phrase (bars 117-120). The slur was added in GE, perhaps at Chopin's request. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 137
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composition: Op. 12, Variations in B♭ major
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In FE (→GE1) the category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Errors repeated in GE |
3, b
to g2, which is a typical inaccuracy related to the use of an octave sign.
