Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 12, Variations in B♭ major
Two kinds of staccato markings present in FE (→EE), wedges and dots, very typical of Chopin in that period, were reduced by GE to one kind in the entire Variations – dots. This is what occurred in this bar: the wedge under the d1-f1 third in FE (→EE) was changed to a staccato dot in GE.
Compare the passage in the sources »
category imprint: Differences between sources
issues: GE revisions
notation: Articulation, Accents, Hairpins